Creative Nonfiction is a term that often gets thrown around in literary discussions, but do any of us really know what it means? I sure didn’t. I often described it as nonfiction that was…creative, or if I was feeling really clever, as nonfiction that was experimental. Needless to say, those definitions would not satisfy any vocab teacher.
Luckily, the internet had the definition I was looking for. On the website for a literary journal called Creative Nonfiction, Lee Gutkind describes creative nonfiction like this:
The words “creative” and “nonﬁction” describe the form. The word “creative” refers to the use of literary craft, the techniques ﬁction writers, playwrights, and poets employ to present nonﬁction—factually accurate prose about real people and events—in a compelling, vivid, dramatic manner. The goal is to make nonﬁction stories read like ﬁction so that your readers are as enthralled by fact as they are by fantasy.
As I learned more about creative nonfiction, I realized how great this genre is. It’s the perfect bridge for dedicated readers of fiction who find nonfiction boring. I’ve met lots of people who want to expand their reading habits, but find it difficult to slough through some of the heavier (both literally and figuratively) nonfiction titles. If you’re looking to venture to the nonfiction side of the library this summer, then some of the creative nonfiction listed below might be for you.
Whether you’re a lover of nonfiction, or someone who just wants to dip their toe in, I hope this list can serve as an introduction to a genre that has a lot to offer. Happy reading!
Five Creative Nonfiction Books that You Should Check Out at WPL:
Theft by Finding by David Sedaris
“David Sedaris tells all in a book that is, literally, a lifetime in the making. For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These observations are the source code for his finest work, and through them he has honed his cunning, surprising sentences. Now, Sedaris shares his private writings with the world.”
Hannus by Rachel Lebowitz
“Hannus is a creative biography of Ida Hannus, a Finnish-Canadian suffragist and socialist living in Vancouver and in the BC Finnish commune Sointula through the turn of the century to the Cold War. Approached from different angles, employing a collage of techniques, Hannus is a constantly shifting – and consistently engaging – narrative that raises questions about the reliability of history and biography.”
Getting out of town by book and bike by Kent Thompson
“Getting Out of Town by Book and Bike is a collection of popular essays which take an often comic look at how reading and bicycling both transport people to places unknown. Thompson introduces the reader to travel writing by the nineteenth-century bicycle adventurer Lyman Hotchkiss Bagg and Canadian rock star Neil Peart, explains why he visits small-town libraries in search of copies of Anna Karenina, and ponders the social significance of the Tim Hortons coffee shops which dot the Canadian landscape. Writing in the spirit of James E. Starrs’ The Literary Cyclist, Thompson also contemplates the role of the bicycle in works by writers from George Bernard Shaw and H.G. Wells to Elizabeth Bishop and Ernest Buckler. On the whole, it’s an offbeat and entertaining book of curiosity. George Elliott Clarke calls this book “a cool meditation on the Zen of cycling, a zesty memoir about growing up in the rural Maritimes, and an ‘off-duty’ scholar’s energetic studies of a host of writers.”
South and West: From a Notebook by Joan Didion
“This book has two extended excerpts from her never-before-seen notebooks–writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles–and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies’ brunch at the Mississippi Broadcasters’ Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the “California Notes” that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From.”
Small Beneath the Sky: A Prairie Memoir by Lorna Crozier
“A volume of poignant recollections by one of Canada’s most celebrated poets, Small Beneath the Sky is a tender, unsparing portrait of a family and a place. Lorna Crozier vividly depicts her hometown of Swift Current, with its one main street, two high schools, and three beer parlors–where her father spent most of his evenings. She writes unflinchingly about the grief and shame caused by poverty and alcoholism. At the heart of the book is Crozier’s fierce love for her mother, Peggy. The narratives of daily life–sometimes funny, sometimes heartbreaking–are interspersed with prose poems. Lorna Crozier approaches the past with a tactile sense of discovery, tracing her beginnings with a poet’s precision and an open heart.”
*All book synopses were taken from the Encore catalogue.